As a designer, my practice is rooted in socio-cultural contexts and unfolds across different scales and formats, ranging from graphic design to spatial situations. I have worked for theatres, museums, and NGOs, often in collaborative settings, and with a sustained interest in forms of design that allow for doubt, reinterpretation, and productive friction rather than fixed meanings or closed systems.

Within this framework, I have developed flexible visual identities that respond to changing contexts and audiences, designed a wide range of publications—from exhibition catalogues to editorial and research-based formats—and repeatedly engaged with spatial situations, where graphic, material, and architectural elements intersect. 

Across these projects, design is understood less as a tool of representation and more as a situated practice that negotiates relationships, conditions, and possibilities.